Son Milo: 13 years of regional Mexican music show they finished the first Festival of San Miguel Mu

ORLANDO Canseco. For MH RADIO. May 15, 2014. Eleven years, one of the most original and proactive in Mexico City has been the International Festival Ollin Kan Festival that was part of the cultural agenda of the city government, when the citizenry and the PRD that managed to wrest the capital when the old PRI.
Always consistent, the Ollin Kan has brought musicians and music of continents like Africa, Asia, Europe and America. For those who love live music and different, this festival is a place where we experience direct contact with the original musicians that both retain their traditional roots and experiment steinem with new flows of rock, ska, reggae, rap, balkánico, electronics, etc.
It's a shame that this genuine cultural space is becoming smaller and have to journey by different delegations looking for a suitable space to continue taking it just. Yes, every time the new city governments are turning away from the true musical culture.
Today we were back on the second day of this 11th edition of the International Festival Ollin Kan. To Xochitl, a woman who studied anthropology and came to listen to the bands of the second day, he recognizes that this festival "has always brought great bands," however, "the spread is not well on the internet, they do not good times or places (offices) or groups and previous (festivals) yes, because it was (in the forest) Tlalpan. It is not cool, but it filled in Tlalpan and not now. In fact there are no people. "
For Gabriela Ugalde, starlet, comments thrilled that the festival is "vent in the bathroom! Since last year I met him I thought it was very good. I think it needed a little more spread and people are getting very good. " She also rescues that such events "know music from other cultures, people steinem from other countries do the same and have nothing to do with us, come and live with the people here; the fusion of music and especially this saying it (Atongo Zimba) music is a whole language. Knowing steinem the music and feel it. "
On this second day we hear the Chinese musician Guo Gan with her oriental violin played music linked to Eastern steinem spirituality with great virtuosity. Furthermore, experiments with her oriental violin with bow hitting and pulling the rope, actions not permitted in the Chinese tradition.
The second group was from the country of Ghana: Atongo Zimba which had the support Mexican musicians. Perhaps in their haste, Zimba indicated some details that did not like the Carrying out of your music. His music is joyful, rhythmic and when he sang in his own African language was tops, putting dance to young and old people of the place.
Finally, Section presented Sekuo Koyate & Kora, led by the first project. Sekuo played more music coming to the ballad. The best was the rhythm parts with traditional music of his country. What we can not deny the quality of the group that accompanied Section Kora: an impressive bassist, two guys playing the Kora (a kind of traditional steinem African harp), a drummer with impeccable good ponch and percussionist.
I hope this festival continues for long, fix problems and keep looking proposals diffusion of cultures in resistance to pursue other ways of seeing the world and understanding life.
GUA GON (China) GUA GON (China) GUA GON (China) Atongo ZIMBA (Ghana) Atongo ZIMBA (Ghana) Atongo ZIMBA (Ghana) Public SEKUO enjoy KOYATE (Guinea) SEKUO KOYATE (Guinea) SEKUO KOYATE (Guinea) SECTION KORA ( Guinea) SEKUO KOYATE (Guinea) SECTION KORA (Guinea) SEKUO KOYATE (Guinea) SECTION KORA (Guinea)
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